Jim McGrath, Postdoctoral Fellow in Digital Public Humanities, John Nicholas Brown Center for Public Humanities and Cultural Heritage, Brown University Abstract This case study looks at an important benchmark in the development of Mapping Violence, a digital project interested in histories and records of state-sanctioned racial violence on the Mexico/Texas border in the early twentieth
The HBCU Library Alliance is “a consortium that supports the collaboration of information professionals dedicated to providing an array of resources designed to strengthen Historically Black Colleges and Universities and their constituents.” It serves as a rich resource for librarians and archivists at HBCUs and also coordinates programs with HBCU students, and would be an
Based at the University of Maryland, AADHum brings African American Studies and Digital Humanities together, and serves as an example of both leadership and support, facilitating a community of scholars that center the Black experience. See in particular AADHum philosophical frameworks on Centralizing Blackness in Digital Work and their rich list of projects in progress.
The Data Culture Project is a model project for both a thoughtful approach to the use of data and technology as well as exploring methods for worplace education and change. Data Culture focuses on providing training for organizations “struggling to figure out how to build capacity to work with data.” The project leaders suggest: “You
Excellent introduction to the history of and philosophical underpinnings of Scandinavian participatory design, a foundational movement for current participatory design, values in design, and critical technical practice movements. Notable for emphasizing the political nature of the practice of participatory design, in that in its beginnings it was seen as a method for democratizing the workplace.
The Archivists and Archives of Color Section is an essential group, informally known as AAC, that creates space and advocacy for archives and archivists of color. A section of the Society of American Archivists, AAC members are often at the forefront of thinking about how to partner with marginalized communities and steward community archives both
The Indian Arts Research Center is a division of the School for Advanced Research, a 501(c)(3) not-for-profit educational institution established in 1907 to advance innovative social science and Native American art. Since 2010, the Indian Arts Research Center has “pioneered a radically participatory approach to the stewardship of its Native American art collection” through initiatives
This study path asks the learner to evaluate ontology creation in relation to automated metadata creation for audio visual digital materials, and asks learners to reflect on ways to disrupt the Anglo and Western ontologies that are often embedded in these systems.
“Three-dimensional modeling and printing of museum artifacts have a growing role in public engagement and teaching—introducing new cultural heritage stakeholders and potentially allowing more democratic access to museum collections. This destabilizes traditional relationships between museums, collections, researchers, teachers and students, while offering dynamic new ways of experiencing objects of the past. Museum events and partnerships
The Sustainable Heritage Network (SHN) “is an answer to the pressing need for comprehensive workshops, online tutorials, and web resources dedicated to the lifecycle of digital stewardship. The SHN is a collaborative project that complements the work of indigenous peoples globally to preserve, share, and manage cultural heritage and knowledge.” Managed by the Center for